Much like the rest of Bruges, walking amongst these Almshouses felt a bit like stepping back in time. The peaceful courtyard bordered by beautifully quaint homes provided a great spot for a moment of reflection.
It seems a bit ironic that a part of the city built to house the poor is now one of the biggest draws for tourists visiting romantic Bruges. Little did they know that their modest homes would become so popular.
There was some fantastic contrast between the tall trees that dominate this courtyard and pristine white houses surrounding them. The perfect opportunity for a black and white shot, in spite of the rain that plagued our time in Belgium!
I’d been shooting with a wide angle lens all morning, but decided it was time to focus on the detail of the majestic mountains I could see in the distance. I sat down, switched to a long zoom lens and scanned the surrounding landscape for interesting features.
Something about this peak in the Mont Blanc massif caught my eye. I loved the leading line created by the mountain’s ridge. Following it from bottom to top I felt like I could imagine it climbing higher and higher as it was created, forged from the earth.
Mountains at high altitude often make great subjects for black and white photography. There’s so much contrast to play with between the snow-capped peaks, perfect blue sky and dark rock formations. I had great fun experimenting in Lightroom!
I don’t often go for black and white with my landscape shots, but it seemed like the perfect way to highlight this daisy standing tall in the long grass near La Chaîne du Bargy in the French Alps. After taking shelter from a stormy shower passing through the valley I ventured out toward the woodland before coming across this beautiful scene.
I noticed a few daisies dotted around so started searching for a decent composition with one in the foreground. Fortunately I found this spot, and I took a few handheld shots at different apertures to make sure I came away with something acceptable.
I was slightly disappointed that the weather turned on me. I’d started out on a longer hike to Lac Benit but decided not to continue after the thunder started rolling in. Better safe than sorry! But after the worst of the weather had passed the cloudy skies were so dreamy, I didn’t stay disappointed for too long.
It’s hard to say which was my favourite town of the Cinque Terre. Occupying seemingly impossible spots on the Ligurian coast of Italy, they each took a place in my heart for years to come. This shot of Manarola was taken from a viewpoint in the preceding town, Corniglia. I thought that some of the vineyards in the Lavaux region alongside Lake Geneva were steep, but I think the vines on these cliffs could easily give them a run for their money!
Amsterdam – it’s a strange place. On the one hand I absolutely enjoyed wandering its canals and quaint historic streets. But I was put off this Dutch city by its red light district. It was seedy, creepy and made me feel quite uncomfortable. Perhaps more so than I have ever felt in Europe. But I’m certainly glad that I’ve been there myself to make up my own mind.
This past weekend I was busy with my camera in and around the Westminster area of London. I really enjoyed my day out exploring the angles. There are so many iconic subjects in England’s great capital, from red telephone boxes to black taxis. In many ways it’s a photographer’s paradise. Fortunately the London Eye provided some great opportunities to get a perfect shot for this week’s photo challenge. I love the symmetry that these kinds of structures present, their simplicity is just beautiful.
My shot for this week’s challenge was taken on a recent photo walk I went on around my neighbourhood in Geneva, Eaux-Vives. Wandering the streets I spotted this fabulously ornate door number on one of the apartment buildings. Ever since I revisited Yvoire and discovered a passion for shooting architecture and focussing on the smaller details, I’ve resolved to get out and explore as much as possible when I’m at home.
The original shot was much larger than the final result. The main reason being that I was at a slight angle to the door when I hit the shutter. The number 10 was originally in the middle of a much larger shot, and since the pattern around it was symmetrical it was pretty obvious. This forced me to crop the image, but actually I’m much happier with the final result. It reveals some intricate details that weren’t apparent in the larger shot.